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Lift your voice and sing for justice as VocalEssence presents songs of resilience and resistance that inspire all to continue the march towards freedom and racial reconciliation. Hear the rhythmic cry for freedom found in The Justice Symphony by Damien Geter, echoing anthems from the Civil Rights Movement and accompanied by a live symphony orchestra. Experience the poignant and beautiful sounds of the Negro spiritual in the world-premiere performance of two newly commissioned works by the multi-talented composer B.E. Boykin. Embrace the unifying spirit of community!

WITNESS: Symphony of Spirituals will feature the VocalEssence Chorus and Ensemble Singers, elder singers from the VocalEssence Vintage Voices, diverse teenage choir VocalEssence Singers Of This Age, and a symphony orchestra with G. Phillip Shoultz III conducting.

 

Top image: VocalEssence WITNESS. Photo © Kyndell Harkness.

Gallery

Articles & More

“VocalEssence offers powerful ‘WITNESS: Eyes Still on the Prize’ concert at Northrop.”—Minnesota Star Tribune

“The most charismatic performers onstage were the youngest. Singers of This Age (or SOTA, for short) is a group of high school-age singers who throw themselves body and soul into their singing. They delivered a version of B.E. Boykin’s Stand Up! that earned its exclamation point.”—Minnesota Star Tribune

“A WITNESS concert is a beautiful thing, uplifting and inspiring.”—MinnPost

“VocalEssence, one of the Twin Cities’ premier singing ensembles, has shone a light on African-American musical genius and ingenuity through its WITNESS concert.”—Minnesota Star Tribune

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  • Performance Begins: 4:00 pm
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Learn More - Explore These Themes

The content below derives from the Northrop Across Campus Program that supports Northrop's mission towards intersections between performing arts and education for the benefit of all participants now and for generations to come.

Find ways to make thematic connections to these suggested topics:

  • Music: Choral, Negro Spiritual, Intergenerational
  • U.S. History: Civil Rights, African American Studies, Minnesota History
  • Community Building
  • Gender, Women, and Sexuality Studies
  • Arts & Culture Leadership
  • Philanthropy

Start a conversation about the performance or encourage reflection, using these questions as inspiration.

 

Created in 1991 in partnership with former Executive Director of the General Mills Foundation, Reatha Clark King, VocalEssence WITNESS celebrates the contributions of African Americans to our shared American heritage. Through concerts, recordings, and school programs, WITNESS broadens ideas about African American musical expression by commissioning new works and performing rarely heard pieces by African American composers.

  • How do prevalent Eurocentric perspectives within music, art, history, and culture contribute to both the underrepresentation of works by Black composers and the broader erasure of African Americans' foundational and transformative contributions to U.S. history and music? How has this led to a narrow, popularized understanding of African American music within American media and education?
  • How might the commissioning of new works and performing rarely heard pieces by Black composers transform contemporary conceptions about our shared American heritage?

 

Separate from the public matinee, VocalEssence will perform two student matinees, WITNESS: Eyes Still on the Prize II, a call for continued social justice. This reference to the Civil Rights anthem under the same name will honor the legacies of three Minnesotan women and Civil Rights activists:Rose McGee, Josie Johnson, and Reatha Clark King. They have worked tirelessly for over half a century to champion human rights and have fostered immense change through their respective career fields. Rose McGee is an author, baker, entrepreneur, and community facilitator; Josie Johnson is an educator, leader, and advocate for human rights policy; and Reatha Clark King is a chemist, business leader, and philanthropist. 

  • How does the diversity of skills and career fields in this group of honorees illuminate the interdisciplinary nature of Civil Rights work?
  • What is an issue that you believe in standing up for? How could you incorporate this into your career or artistic endeavors?

 

WITNESS: Symphony of Spirituals, a separate program from the student matinees, will spotlight the legacy of Negro spirituals: songs of resilience and resistance that inspire us to continue the march toward freedom and racial reconciliation. Not only will the show feature anthems from the Civil Rights Era in The Justice Symphony by Damien Geter, it will also feature two newly commissioned works by current MN Opera resident composer, B.E. Boykin.

  • Singing was essential to the survival and freedom of enslaved African Americans in the 19th century and the success of the Civil Rights Movement during the mid-20th century. Considering this legacy, how might singing be utilized in contemporary social justice work today?
  • How might the inclusion of historical spirituals alongside new work created by a contemporary African American composer speak to modern-day issues of racial injustice?
  • How might modern-day works, like those of Damien Geter and B.E. Boykin, differ from or continue the aesthetics, process, and purpose of Negro spirituals?

Acknowledgments

link opens new tab to Minnesota State Arts Board

This activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.